Meet Our Makers

74. Molly Drag - Opening the Windows

In this chat, we get to meet Molly Drag. Molly Drag is the pseudonym of Montreal singer, songwriter, multi-instrumentalist Michael Charles Hansford. In this talk, we dive deep into his brand new album, Mammoth, out now on I'm Into Life Records. But we also talk about...well, a lot of other things. Truthfully, this is quite a spontaneous and circuitous talk, because Michael and I have been following each other's work for a couple years now, and have chatted here and there before, making this conversation much more of a catching up & hanging out kind of episode. Which is great! We talk the new record of course, but also things like home recording, Kelly Reichardt films, the virtues of being a DIY artist, work-life balance, and more. It's an amiable talk with a super talented guy. Thank you for listening.

73. Iron & Wine - We Are The Box in the Back of the Gym

In this chat, we get to meet Iron & Wine - aka: singer/songwriter/guitarist, and general indie folk icon, Sam Beam. Sam has just recently put out a brand new Iron & Wine record entitled Light Verse, so we do spend a good amount of time discussing this album. We touch on its themes of loss and acceptance, the time it took to make, and the collaborators he had on it - including none other than the legendary Fiona Apple. We also look back on his seminal 2nd record, Our Endless Numbered Days, which turned 20 this year. We talk about creative ruts, file sharing and leaked music, and do some light myth-busting about his debut album. I also get personal and tell Sam just how much his music has meant to me, and how integral its been to my development especially as a musician myself, over the year. It's a lovely, jovial conversation, and one I will go cross off the bucket-list now. Thank you for listening.

72. claire rousay - heart in the machine

In this chat, we get to meet claire rousay. claire is best known as an ambient composer, crafting soundscapes with keys, found sounds, drone, and other experimental elements. But in this chat, she and I talk quite a bit about her brand new album sentiment, which is out now on Thrill Jockey, which includes much more singer-songwriter style material. Now, it's still a claire rousay record, and we discuss how she tried to keep a hold on her experimental spirit despite having more lyric- and guitar-focused songs than ever before, including her choice to produce all the vocals on the album with a sort of robotic autotune effect. We also talk about inspirations, how emo and folk music impacted her as a music listener and creator, live performance, and more. It's a very candid, down to earth, and occasionally lovably self-deprecating chat with one of our most intriguing voices in current-day experiment pop music, and I think you'll enjoy. Thanks for listening.

71. Julia Holter - She Moves the Room

In this chat, we get to meet Julia Holter. Julia is a multi-instrumentalist, singer, songwriter, and composer extraordinaire, who just put out a wondrous new record, Something in the Room She Moves. In this chat, Julia talk a lot about this new album, including the production, the songwriting, the stories, and the risks of these songs. We talk titles, the Beatles, performance, as well as her work in film scoring (such as her score for Never Rarely Sometimes Always), and more. It's a lovely chat with one of our best artists. Thanks for listening.

70. El Perro Del Mar - A Sucker for Melancholy

In this episode, we get to meet El Perro Del Mar, AKA: Swedish singer, songwriter, musician, producer Sarah Assbring. In this chat, Sarah and I talk at length about her newest full-length EPDM record, Big Anonymous, out now on City Slang. It's been a while since the last one, and we had a lot to talk about. We talk about the dark and emotional (and very personal) themes on Big Anonymous, the ways in which her sound has (and hasn't) shifted over the years, her lyrical technique, and the ways in which this album was more therapeutic than she ever thought it'd be. We also touch on the peculiar but fitting choice to include a Burt Bacharach cover on this album, as well as how she wrestles with being a contrarian in a world of immediacy and people pleasers. Thank you for listening.

69. Bonnie ”Prince” Billy - Singing Life

In this episode, we get to meet Bonnie "Prince" Billy - aka Will Oldham. Will has had a great year in music, putting out one of his best records yet with Keeping Secrets Will Destroy You (by some counts his 21st record!) back in August. In this chat, Will and I discuss that album at length, including some of what went into and inspired it. We talk about his long history of selecting perfect singing partners and musical collaborators, and how important singing and voices are to him, and how much we have left to learn from older musicians. We also touch on his old material with Palace Brothers, his intermittent acting career (which was his original career aspiration), and the longlasting magic and legacy of his most famous song "I See a Darkness". It was a warm and rambling talk, like hanging with an old pal, and I think you'll enjoy it. Thank you for listening.

68. Jess Williamson - Texan Lightning

In this chat, we get to meet singer-songwriter Jess Williamson. Jess put out her most recent album, Time Ain't Accidental, back in June. (It also happens to be her most acclaimed record yet.) And in this chat, we get to be a bit reflective as opposed to anticipatory. We talk about what the songs mean to her now in the wake vs. the lead-up, and how proud she is of this album. We talk about how her year has gone since then, including touring and the general reaction to these personal songs. We discuss vulnerability and specificity in songwriting, rediscovering her love of her native Texas, and embracing imperfections (and her natural voice) in the studio. She also had a dream about Adrianne Lenker, so, there's that! It was a super fun talk, circuitous in the best way, and I think you'll enjoy it. Thank you for listening.

67. Jolie Laide - It’s Just Music

In this episode, we get to meet Jolie Laide, the new band fronted by acclaimed singer-songwriter Nina Nastasia and guitarist/multi-instrumentalist Jeff MacLeod. In this chat, Nina and Jeff and I discuss the makings of this debut record, which just came out this past November. We talk about how they met over 20 years ago, and how now felt like the time to join forces for a new creative project. We discuss the themes and moods of the album, including the desert-style landscapes they conjured for its nine songs, as well as what each of them brought to the record. We talk the ups and downs of band-dom, Nina's magnificent last solo album Riderless Horse, magical guitars, and so much more. I hope you enjoy. (And please forgive my sick voice in the intro for this episode - my cold was not going to stop me!) Thank you for listening.

66. Kevin Drew - Death and a Good Moisturizer

In this episode, we get to meet Kevin Drew. Best known as the sort of de facto captain of indie rock superstars Broken Social Scene, Kevin has just put out his brand new solo album, Aging. In this chat, he and I discuss the album, and its myriad dark, deep, personal themes, as well as what led to its conception and its status as a very piano-led record (which isn't something we've previously associated much with his music). We touch upon Broken Social Scene, and their recent celebration of the 20th anniversary of their landmark record You Forgot it in People. We talk what those songs mean to him now, the music industry at large, and also the staggering glory of Emily Haines and "Anthems for a 17-Year-Old Girl". It's a lovely, very candid conversation, and I appreciate the warmth and kindness Kevin brought to our talk. Thank you for listening.

65. Empty Country - Haunted Places

In this episode, we get to meet Joseph D'Agostino, the frontman and lead songwriter of indie rock outfit Empty Country. Previously known for his now-defunct band Cymbal Eat Guitars, D'Agostino's newest record as Empty Country - aptly titled Empty Country II - is out now, and it's a real treat of high-emotion, high-impact, literary songwriting. In this chat, Joe and I discuss his specific lens through which he shoots his songs and subjects, tracing a litany of fictional characters and their various throughlines across his work and across the hour-plus of material on this new album. Joe has a knack for fictionalizing the real life heart ache and tragedies of the world around him, transposing them into appropriately emotional but never depressing or dreary mini-epics. We talk about his new life in Connecticut, his songwriting inspirations, and more. Thank you for listening.